As the old saying goes, the apple doesn't fall far from the tree. In other words, the child takes after the parent; the son is a chip off the old block.
Of course, that's often not the case. Straight parents have gay children and vice versa; autistic children are born to parents who don't have autism; and transgender kids are born to parents who are perfectly comfortable with their gender.
Istanbul: Somebody's stolen a hard drive with info sensitive enough that ... oh, who cares? Bond is giving chase, and that's all that matters — cars careening through bazaars, motorcycles flying across rooftops until Daniel Craig's 007 lands atop a speeding train.
Originally published on Fri November 9, 2012 6:18 pm
Every second-term president has to rebuild some or all of his Cabinet as high-profile members often time their resignations with the end of the president's first term. President Obama already is expected to receive a number of resignations, which he will have to fill.
With the guessing game under way, here's a look at some of the people who may emerge from a second-term Cabinet shakeup:
Relocating Dangerous Liaisons, the 18th-century French erotic intrigue, to 1930s Shanghai is a bold move. And yet it's not especially surprising. In Chinese movies, that city in that decade frequently serves as shorthand for decadence. And what could be more decadent than two debauched ex-lovers cold-heartedly planning to destroy the innocence of not one but two virtuous women?
It's never quite safe to trust your eyes — or your memory — when it comes to In Another Country, the latest effort from the playful and idiosyncratic Korean filmmaker Hong Sang-soo. Isabelle Huppert appears as three different characters, all apparently named Anne; she's thrice the star of a hypothetical movie within the movie, a screenplay coming together on the notepad of a young Korean woman living away from home.
Originally published on Fri November 9, 2012 11:54 am
This election season, pundits have been fond of pointing out the near-50/50 split of the electorate and talking about how the American people are as deeply divided as at any other time in our history. The opening moments of Lincoln put those hyperbolic claims in perspective, as Steven Spielberg — with his usual flair for highlighting how truly ugly war really is — shows a nation so divided that its opposing factions are killing one another in numbers so extreme that the bodies are literally piling up on top of one another.