Ken Tucker

Ken Tucker reviews rock, country, hip-hop and pop music for Fresh Air. He is a cultural critic who has been the editor-at-large at Entertainment Weekly, and a film critic for New York Magazine. His work has won two National Magazine Awards and two ASCAP-Deems Taylor Awards. He has written book reviews for The New York Times Book Review and other publications.

Tucker is the author of Scarface Nation: The Ultimate Gangster Movie and Kissing Bill O'Reilly, Roasting Miss Piggy: 100 Things to Love and Hate About Television.

Janie Fricke has had a long, winding career. She started out as a singer of TV commercial jingles, warbling for Coca-Cola, McDonald's and Red Lobster, among other clients. She then moved on to singing back-up vocals for stars such as Elvis Presley, Loretta Lynn and Dolly Parton.

On Back to Love, Anthony Hamilton makes music from declarations. He tells a woman "I'm missing you crazy" in "Who's Loving You," and it's typical of his strategy. He states his thesis, his opinion, his desire in a voice that speaks as much as it sings for the sake of emphasis. After he's sure he's gotten his lover's attention, he begins doing his rhythm-and-blues work, mixing soul and blues and hip-hop phrasing to heighten the emotion in a song.

Careening into your ears like the theme to a bank-heist flick is "Lonely Boy," the first single from El Camino. Except the lyric tucked inside the roaring, curve-hugging melody isn't about anything so action-packed as robbing a bank or making a getaway. Instead, Dan Auerbach sings about stasis: "I got a love that keeps me waiting." And, being the sensible raucous rocker that he is, Auerbach is willing to wait out his love, because he knows in his heart that she's worth it.

I'm not much for collections of alternate takes and the early music of people who went on to have hits. There's usually a reason a song doesn't become a hit, just as there's usually a reason to record another take — it's because the music is usually lousy. But I'm a little bit obsessed with a new collection of Buck Owens performances from the years before he became a star.

David Lynch commences Crazy Clown Time with "Pinky's Dream," featuring a vocal by the Yeah Yeah Yeahs' Karen O and summoning up, as the song title suggests, a dreamy atmosphere. With Karen O's pretty voice and the galloping rock beat, it's as though Lynch is trying to ease us into his album, ushering us into a welcoming waiting room before the real operation, when the scalpel comes out.

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