Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

It's almost here. And by "it," we mean the new season of Downton Abbey, the UK-produced drama about the Crawley family and their servants that PBS imported for Masterpiece Classic with great success. Series two has already run in the UK, but if you've been good and patient and resisted the urge to obtain it by illicit means, your wait is nearly over: the new season begins on PBS on January 8th.

Is it pure whimsy that makes something like "Callin' Oates" appealing?

If you pick up your phone and call 719-26-OATES — at least as of this writing — you'll get a computerized woman's voice telling you what numbers to press to hear one of four Hall & Oates songs.

The question, of course, is ... why?

Charlize Theron is ugly in Young Adult, the new film from the Juno team of director Jason Reitman and screenwriter Diablo Cody — both literally and personally. In parts of the film, she still looks like her knockout movie-star self, but in other parts, she looks like she's aged a year for every day since her character, Mavis Gary, left high school.

You might think Harry Potter fever would be petering out now that the books and the films have come and gone. You, of course, would be wrong, as Ben Bergman reports on today's Morning Edition.

From a pop culture perspective, Hugh Grant's testimony yesterday about ethics in journalism is a fascinating step for a guy who's already had a pretty interesting trajectory.

Following the exit of producer Brett Ratner from the upcoming Oscars telecast yesterday, Eddie Murphy — whose new film Tower Heist is also Ratner's latest directorial effort — has stepped aside as host of the 2012 show, the Academy of Motion Picture Arts and Sciences announced today.

In Clint Eastwood's new film J. Edgar, Leonardo DiCaprio plays J. Edgar Hoover, the controversial longtime FBI director, from youth through old age. And when you play a man for that long, you might expect to sympathize with him somewhat. But DiCaprio tells Guy Raz on today's All Things Considered that he doesn't have sympathy or empathy for Hoover.

On today's All Things Considered, Robert Siegel poses an important question to Bob Costas, one of the authors of a new book about the greatest moments in football: With football so popular and beloved and money-making, why is baseball still considered our national pastime? What does football have to do to get a little love?

"Hey, leave baseball something," Costas says of the special, nostalgic language with which we often speak of it. "In every other measurable way, football has surpassed it."

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