LL Cool J has been making music for more than 25 years. Through it all, he says, he's tried his best to remain authentic.
"The last thing that I want to do is be a hack," says the rapper and actor, born James Todd Smith. "Someone who is adapting to whatever the current trend is, and manipulating the public into being on board with me even though, from an artistic standpoint, I'm not doing anything."
In Pakistan today, millions went to the polls to elect new government. NPR's Julie McCarthy has been following the candidates, their campaigns and issues leading up to this. She joins us now from Lahore. Welcome, Julie.
JULIE MCCARTHY, BYLINE: Thank you.
RATH: So in the last 24 hours, we've heard a lot about the threats and violence aimed at stopping voters, and even shutting down polling places. What's the significance of this election? Can you put it into context for people?
Guilty of genocide and crimes against humanity, that's the verdict today against Efrain Rios Montt, a former dictator of Guatemala. The general ruled the Central American nation in the early 1980s, one of the bloodiest periods of its 36-year-long civil war. Rios Montt, now 86 years old, was found responsible for atrocities committed against the Maya Ixil indigenous group. NPR's Carrie Kahn reports.
CARRIE KAHN, BYLINE: Presiding Judge Yasmin Barrios read the verdict to a packed audience in the expansive Supreme Court auditorium.
When movie director Baz Lurhmann got his hands on F. Scott Fitzgerald's The Great Gatsby, a 21st century-Jazz Age mashup was inevitable. Vivid, anachronistic style is standard in Luhrmann's films: His take on Romeo + Juliet was a Technicolor fever dream for the MTV generation, and Moulin Rouge put Verdi's La Traviata through a genre blender.
Sarah Polley grew up the fifth of five children in a Canadian theatrical family. Her father, Michael, is a transplanted British actor; her mother, Diane, was an actress and casting director. No wonder Sarah feels her family's narrative has the stuff of drama.
"I'm interested in the way we tell stories about our lives," she says in the film, "about the fact that the truth about the past is often ephemeral and difficult to pin down."
Allison Amend is out with her third book. It's a novel called "A Nearly Perfect Copy." It features richly detailed characters, including an art dealer gone bad, and it's set in both Paris and New York. Our review Alan Cheuse found it all quite delectable.
Eight people died Wednesday in a fire at a Bangladeshi sweater factory. This follows the much deadlier collapse of the Rana Plaza building, where more than 900 people died.
The deaths are taking place in a garment sector that has seen explosive growth over the past three decades. The country has managed to lure clothing-makers through a combination of low wages and light regulation.
As a manufacturing center, Bangladesh has little to recommend it. The roads are poor. There's no port to speak of. The electricity is notoriously unreliable. It's politically unstable.
Journalists make choices all the time that influence our understanding of the news â€” the choice of what stories to cover, which people to interview, which words to use. And major news organizations have been reconsidering how best to describe a group of people whose very presence in this country breaks immigration law.
Here's a movie pitch: A celebrated millionaire, known for public extravagance, lives right on the water in a fabulous mansion. He's smooth but reckless, drives like a maniac, has a powerful enemy and â€” despite a rep as a playboy â€” has only one girlfriend, who barely registers on-screen.
You're the producer, so whaddya think? Does his story require lavish digital effects, swooping cameras, a rap soundtrack and the full-on 3-D treatment?
If I tell you his name is Tony Stark, otherwise known as Iron Man, probably yes, right?