Imagine an era when mainstream music wasn't filled with synthesizers. When electronic music wasn't a force propelling everything from pop and hip-hop to music from the underground. There was a time when this world existed. Then Kraftwerk emerged, and the world we knew changed.
Mohamed Fellag, an Algerian comedian and humor writer, plays the title character in the Oscar-nominated Monsieur Lazhar, who steps in to teach a class of middle school students at exactly the right time.
At the start of a bright, sunny day that seems otherwise like any other day, a popular teacher is found dead in her classroom. It was suicide.
The school is traumatized, especially that teacher's students. By the next day, the principal is at her wits' end trying to find someone willing to take the class. So when Bachir Lazhar (Mohamed Fellag) offers to teach, it comes at just the right moment.
One of the sharpest dividing lines emerging between President Obama and GOP presidential front-runner Mitt Romney is the budget introduced in Congress by Rep. Paul Ryan, R-Wis., with its sharp cuts in domestic spending and lower tax rates.
Both sides see it as a winning issue for the fall campaign. The Obama campaign likes to call it the "Romney-Ryan budget" — and Romney hasn't objected.
On the campaign trail in Wisconsin, Ryan was a constant presence with Romney before that state's April 3 Republican primary, which Romney won.
It's ALL THINGS CONSIDERED from NPR News. I'm Audie Cornish.
ROBERT SIEGEL, HOST:
And I'm Robert Siegel.
In Sanford, Florida, there's been a new development in the Trayvon Martin shooting case. Late today, attorneys for the admitted shooter, George Zimmerman, said they are no longer representing him. Attorney Craig Sonner says they haven't spoken to Zimmerman since Sunday.
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Actress Pearl Bailey during curtain call for the 1967 Broadway production of Hello, Dolly!
Credit Alfred Eisenstaedt / Time & Life Pictures/Getty Images
Actress Mary Martin, who famously stopped the show with her performance of Cole Porter's "My Heart Belongs to Daddy," sings the number during a performance of the 1939 Broadway production of the musical Leave It to Me.
Earlier this month, tenor Juan Diego Florez made headlines when he sang the aria "Una furtiva lagrima" in the Donizetti opera L'elisir D'Amore at the Metropolitan Opera — not once, but twice.
The audience responded so enthusiastically that after well over a minute of applause and shouts of "Encore!" he sang the whole thing again — all five minutes of it.
It's never been easy to make a living as a musician. But there was always a dream: to become a star on the strength of your talent and your music. The Internet is a rude sandman, however, and today that dream is a lot more convoluted.
No longer can a would-be rock star follow the once-accepted checklist: (1) sign with a big label, (2) get a hit, (3) buy mansions and cars. The number of ways a musician can make money is now varied. The question, for many musicians still trying to make a go of it in the industry, is whether those many sources can add up to something sustainable.
During the course of his career, singer-songwriter Adam Cohen says he has twisted himself into creating commercially successful music — but not this record, not this song. "What Other Guy," from his third album Like A Man, didn't seem likely to generate mainstream popularity. And yet it did, more than any other song he has ever recorded.
The son of iconic singer Leonard Cohen, Adam Cohen says his latest record is a celebration and demonstration of his father's influence on his music.
Idan Raichel is one of Israel's top-selling pop musicians. Vieux Farka Toure is a virtuoso guitarist from Mali. The two met by chance in a German airport, and when Toure played a concert in Tel Aviv, Raichel sat in. He enjoyed himself so much that he invited Toure and two other musicians to come to a studio the next day and jam. The music they created is now an album called The Tel Aviv Session.
Lena Dunham's new series Girls debuts on HBO on April 15. Dunham, who got quite a bit of attention for being the star, director and writer of the 2010 indie film Tiny Furniture, fills the same three roles in this ensemble show about four young women in New York.