As Albert Nobbs, Glenn Close has hair that's cropped and orangey, and a voice that rarely rises above a nasal croak. She lives and works as a waiter in a high-toned hotel, where she stands with lips pressed together, tight yet tremulous, her searching eyes her only naturally moving parts. She resembles no man I've seen, but no woman, either. She's the personification of fear — fear of being discovered to be a woman. Because hers is a society that treats all poor people badly, but poor women worse.
Veteran TV writer and producer David Milch grew up in Buffalo, N.Y. But a few times each year, Milch would accompany his father across the state to Saratoga Springs, where the two would bet on horse races.
When Steven Patrick Morrissey was 13, he was watching The Old Grey Whistle Test, a BBC rock television show, when the New York Dolls came on. Later, he called it "my first real emotional experience." It was hardly his last: Growing up awkward, tall and shy in suburban Manchester, he was the archetypal kid who didn't fit in, writing poetry and letters to members of the British rock press, disagreeing articulately with their critics.
When Kiefer Sutherland ended his series of very long, very intense days as Jack Bauer on the Fox series 24, few people, including Sutherland himself, expected him to be starring in another TV series right away.
In the new Fox series Touch, David Mazouz plays Jake, an autistic boy who doesn't talk but can predict future events. Jake also narrates the series.
The new Fox series Touch stars Kiefer Sutherland as a father — a widower — raising a withdrawn preteen son with behavioral problems.
But it doesn't begin with Sutherland.
It begins, instead, with the son — Jake, played by David Mazouz — providing the narration that opens the series. By the time the opening narration is over, you already know you're watching something a little different.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
The individuals who participated in the first Inquisition 800 years ago kept detailed records of their activities. Vast archival collections at the Vatican, in France and in Spain contain accounts of torture victims' cries, descriptions of funeral pyres and even meticulous financial records about the price of torture equipment.
"[There are] expense accounts [for things] like how much did the rope cost to tie the hands of the person you burnt at the stake," says writer Cullen Murphy. "The people who were doing interrogations were meticulous."
Ralph Fiennes showed up for a frenzied cameo near the end of Kathryn Bigelow's The Hurt Locker, and her hand-held, adrenaline-charged approach clearly inspired his film of Shakespeare's Coriolanus, which he both acts and directs the bloody hell out of.