It's not unusual for poets to try their hands at pop music-making. Patti Smith was a poet before she was a rock star. In recent years, print-poets such as David Berman and Wyn Cooper have put out more-than-credible song collections. But Mary Karr, known more for prize-winning memoirs such as The Liars Club and Lit than for her excellent poetry, has taken a high-profile risk that's paid off.
A dark and stormy night; an isolated manor house; a knock at the door. These are the surefire elements that have kept Agatha Christie's play The Mousetrap creaking continuously on the London stage ever since its premiere in 1952. And these are the very same elements that make Sadie Jones' new novel, The Uninvited Guests, such a delicious romp to read.
Drummer Mike Reed put together his quartet People, Places and Things to play music by their 1950s forebears. But it makes sense that, after a few years together, they'd also play later pieces, tracking the evolution of Chicago jazz on a new album titled Clean on the Corner. One dividend of their repertory work is that it inspires Reed to write his own tunes in the same spirit, like "The Lady Has a Bomb."
A new expose by The Times-Picayune of New Orleans calls Louisiana the "world's prison capital."
The state imprisons more people per capita than any other state or country in the world, with one out of every 86 adults behind bars. Its rate of incarceration is three times higher than Iran's and 10 times higher than Germany's.
How did Louisiana double its prison population in the past 20 years? And what differentiates it from other states?
Nobel Prize-winning economist Joseph Stiglitz grew up in Gary, Ind. — a city that has weathered many economic storms over the past half-century.
Stiglitz went on to study at Amherst College and MIT, where he received a Ph.D. in economics. He later served on and chaired President Clinton's Council of Economic Advisers and became the chief economist at the World Bank. But even as a child, Stiglitz says, he noticed ways in which the markets weren't working.
Last week, The New York Times reported that Stuxnet, the computer worm that infected computers around the world in 2010, was developed by the United States in conjunction with Israel to destroy Iran's nuclear centrifuges.
"It appears to be the first time the United States has repeatedly used cyberweapons to cripple another country's infrastructure, achieving, with computer code, what until then could be accomplished only by bombing a country or sending in agents to plant explosives," wrote David Sanger, the paper's chief Washington correspondent.
Diamond Rugs is one those bands that wants you to think it prizes spontaneity and sloppy good fun more than careful song construction and technical polish. And the album, also titled Diamond Rugs, almost succeeds in convincing you of its sloppy aesthetic, dispensing songs about drinking and carousing only to be left morose, in one's cups.
Writer Mira Bartok was 40 years old when a semi-trailer hurled into her car on the New York Thruway. The force of the accident whipped the inside of her brain against her skull, causing what's known as coup contrecoup, a type of traumatic brain injury that for Bartok, affected both her long- and short-term memory.