Unlike Ebola, which infects and kills people quickly — and then disappears just as quickly — the HIV epidemic has become so good at killing people in part because it moves so very slowly, says journalist Craig Timberg.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
The Singing Detective is the story of a writer of pulp-fiction novels, hospitalized for a horrible skin condition that has his entire body flaking and raw, and his mind slipping in and out of fever dreams.
Some of those hallucinations have the people around him breaking into song, or shifting into other places and times and characters, or both. He tries to maintain his sanity by rewriting, in his head, one of his old novels into a Hollywood screenplay — and, in his mind, he's the healthy, good-looking protagonist — the singing detective.
In sophisticated comedy, what's funny is the tension between proper manners and the nasty or sexy subtext. Whereas in low comedy, there are no manners, and the nasty or sexy subtext is right there on the surface.
And then there's Wanderlust, in which the subtext is blasted through megaphones — the characters say so insanely much you want to scream. The satire is as broad as a battleship and equally bombarding. But it takes guts to do a comedy this big without gross-out slapstick, and the writers and the actors are all in.
In the first part of his career, J. Edgar Hoover was often hailed as a hero. As a young man, he helped reorganize the cataloging system at the Library of Congress. Later on, after Hoover became the first director of the FBI, he introduced fingerprinting and forensic techniques to the crime-fighting agency, and pushed for stronger federal laws to punish criminals who strayed across state lines.
This interview was originally broadcast on Apr. 9, 1991.
Publisher Barney Rosset, who championed the works of beat poets and defied censors, died Tuesday. He was 89.
Rosset's Grove Press published some of drama's most famous names — including Beckett and Anton Chekhov — and was known for printing books that other publishers wouldn't touch, from uncensored versions of Lady Chatterley's Lover and Tropic of Cancer to a highly profitable line of Victorian spanking porn.
This is FRESH AIR. I'm Terry Gross. SuperPACs have led to what was described in the New York Times yesterday as a new breed of super-donor. About two dozen individuals, couples or corporations have given a million dollars or more this year to Republican superPACs that have poured that money directly into this year's presidential campaign.
James Bopp is the lawyer who first represented Citizens United in the case that ended up in the Supreme Court, which ruled that corporations and unions could give money to political committees active in election campaigns. That decision and subsequent lower court decisions have led to SuperPACs, which allow corporations, unions and individuals to make unlimited contributions, pool them together, and use the money for political campaigns.
Blues and jazz singer Catherine Russell says she frequently listens to the radio while washing dishes. One night, she was by the sink listening to a Chick Webb compilation when Ella Fitzgerald's "Under the Spell of the Blues" came on. The song struck her.
"The lyric came on, and it was just a beautiful story, and then I [was] compelled to learn the tune, and then I learned about everything surrounding it," she says.