You'd think that, by now, the news that Americans are spoiling their children would be as attention-getting as the fabled headline, "dog bites man," but, apparently, we never weary of hearing about how bad we're doing as parents. Last year, it was the Tiger Mom; this year, a hot new book called Bringing Up Bebe, tells us that the French have us beat by an indifferent shrug when it comes to the art of raising independent kids.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
The flashy Denzel Washington thriller Safe House will probably gross in a few hours what Steven Soderbergh's Haywire has made in several weeks, but if you like action you ought to catch both back to back. Soderbergh's film is a reaction to the jangled, high-impact style of Safe House and its ilk.
Poet Donald Hall spends much of his time in his blue armchair, looking at the landscape out his window. The 83-year-old former poet laureate has lived for years on the same New Hampshire farm that his grandparents used to own, and still writes in the room he slept in as a child.
Chuck Prophet's new album, Temple Beautiful, takes its name from a former synagogue that hosted punk-rock shows in the late '70s and early '80s; it was next door to the temple overseen by cult leader Jim Jones. That may sound like a grim or black-humored reference point around which to erect an album, but with Prophet, grimness, humor, fact and fiction mingle freely. Before anything else, he's a guitar player with a melodically nasal voice whose phrasing favors the whimsical and the querulous.
Pulitzer Prize-winning journalist Katherine Boo spent more than three years in Mumbai's Annawadi slum to do research for her new book, Behind the Beautiful Forevers. Residents of the slum — which is located next to the Mumbai airport and in the shadow of several luxury hotels — live in devastating poverty.
The two DVDs I want to talk about today are hilarious, but they aren't sitcoms. They're talk shows — well, one's a talk show, and one's a filmed seminar. But they're both fascinating examples of a specific pop-culture moment frozen in time.
And they're something else as well: Both are highly entertaining real-time examples of talk-show Darwinism. Both shows feature a large, unwieldy guest roster, all of the guests competing for attention at the same time — and by the time the programs are over, the winners are apparent.