Nicholas Stoller made his directorial debut with the raunchy 2008 comedy Forgetting Sarah Marshall, which starred Jason Segel as a guy who had to reassess his life after his girlfriend of five years dumped him.
Segel famously dropped his towel in the opening scenes of the film, which led The New York Times to call him "a young actor with nothing to hide."
Yes, it was worth the wait. Absolutely. Mad Men returns Sunday with a two-hour season premiere — and by the time it's over, if you react the way I did, you'll be satisfied and even comforted to have spent two wonderful hours with the folks at Sterling Cooper Draper Pryce.
Suzanne Collins' novel The Hunger Games and its two sequels are smashingly well written and morally problematic. They're set in the future, in which a country — presumably the former United States — is divided into 12 fenced-off districts many miles apart.
Each year, to remind people of its limitless power, a totalitarian government holds a lottery, selecting two children per district to participate in a killing ritual — the Hunger Games of the title — that will be televised to the masses, complete with opening ceremonies and beauty-pageant-style interviews.
Writing about Clark Terry in the past, I've grumbled that this great and distinctive trumpeter had long been stereotyped as a pixie-ish jazz jester. There's more range and deep blues feeling to his sound than that. It wasn't all sweetness when he was growing up poor in St. Louis, touring in the Deep South before WWII or breaking the color line with TV orchestras in 1960.
Beethoven would try as many as 70 different versions of a musical phrase before settling on the right one. But other great ideas seem to come out of the blue. Bob Dylan, for example, came up with the lyrics to the chorus for "Like a Rolling Stone" soon after telling his manager that he was creatively exhausted and ready to bail from the music industry. After going to an isolated cabin, Dylan got an uncontrollable urge to write and spilled out his thoughts in dozens of pages — including the lyrics to the iconic song.
In his latest book, Pakistan on the Brink, journalist Ahmed Rashid writes that he fears Pakistan "is on the brink of a meltdown."
"I fear almost anything could [send it over the edge]," he tells Fresh Air's Terry Gross. "There could be a major terrorist attack in the U.S. or Europe which is traced back to Pakistan. ... Then there's a very, very critical economic crisis in the country. There's no investment, no money, there's no energy — I live in Lahore. We've had no gas for six months."
Dick Teresi wanted to write about how science determines the point between life and death. After a decade of research, Teresi says he still doesn't know what death is, but that the breadth of his ignorance has been widely expanded. Teresi's findings have been published in his new book, The Undead: Organ Harvesting, the Ice-Water Test, Beating Heart Cadavers — How Medicine Is Blurring the Line Between Life and Death.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
At age 44, Will Ferrell has played an anchorman, championship NASCAR driver, ice skater, an elf, and George W. Bush. What's his next challenge? Making a movie in which he speaks nothing but Spanish. The Mexican-set action comedy "Casa de mi Padre" is directed by Matt Piedmont, who collaborated with Ferrell on his website Funny Or Die. Film critic David Edelstein has a review.