Paul Motian, a jazz drummer and composer who spent more than 50 years in the music industry, died November 22, from complications of multiple myeloma. He was 80.
The New York Times' Ben Ratliff once called Motian "one of the greatest drummers in all of jazz." The rare drummer who disliked drum solos, Motian recorded some of his most memorable work with pianist Bill Evans and bassist Scott LaFaro. Their recordings include the classics Sunday at the Village Vanguard and Portrait of Jazz.
Some of the most talented and temperamental athletes and coaches in the world have opened up to John Feinstein.
The acclaimed sportswriter's latest book One on One: Behind the Scenes with the Greats of the Game details his conversations over the years with notoriously difficult coaches like Bobby Knight and star athletes like Tiger Woods and John McEnroe.
By now, I hope my position on spoiler alerts is firmly established. My feeling is that once something has been televised, it's fair game for discussion. I feel it's the responsibility of the person who's delaying his or her enjoyment of a TV show to avoid mentions of it, rather than putting the onus on critics. And believe me, I know that's not always easy. I have to do some time-shifting myself — there are so many good shows presented on Sundays this season that it sometimes takes me the whole week to catch up on the episodes I've recorded.
I'm not much for collections of alternate takes and the early music of people who went on to have hits. There's usually a reason a song doesn't become a hit, just as there's usually a reason to record another take — it's because the music is usually lousy. But I'm a little bit obsessed with a new collection of Buck Owens performances from the years before he became a star.
Imagine being able to access the Internet through the contact lenses on your eyeballs. Blink, and you'd be online. Meet someone, and you'd have the ability to immediately search their identity. And if your friend happens to be speaking a different language, an instantaneous translation could appear directly in front of you.
That might sound farfetched, but it's something that might very well exist in 30 years or less, says theoretical physicist Michio Kaku.
Before he was cast in the Broadway revival of Follies, actor Danny Burstein had never seen Stephen Sondheim's famous musical, which first hit the Broadway stage in 1971. And he didn't know much about the show, except that everyone in the theater world seemingly had an opinion about it.
During the 50-plus years that Agatha Christie actively reigned as "The Queen of Crime," it became something of a tradition in England to give one of her novels as a holiday present; in fact, she and her publishers popularized the slogan "A Christie for Christmas." Dame Agatha died in 1976, but the association of murder most foul and the yuletide season lingers.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
Before Led Zeppelin, there was Iron Butterfly — these days, a very misremembered band from Los Angeles. Maybe it was the movie industry all around, but '60s garage-rock in L.A. had an expansive, almost cinematic streak. Iron Butterfly was not the most inventive band on that scene, but it became the most famous because of a single, durable, out-of-nowhere hit, "In-A-Gadda-Da-Vida." The song was 17 minutes long, and the proper thing to do on underground radio stations was the play the whole thing.