Film director and writer John Waters has broken many taboos and created intentionally perverse scenarios in his films — most notably in Pink Flamingos, about a competition for the title "the filthiest person alive."
Waters, who is now 68, was looking for an adventure he could write about. So he decided to hitchhike cross-country from his home in Baltimore to his co-op apartment in San Francisco.
Any novel that opens on a young American woman running a bookshop in a small town nestled in the Welsh countryside promises a glimpse into a life lived far from the madding crowd. That's the quaint plotline Tom Rachman's new noveltells uninterruptedly for the length of one brief chapter. Thereafter, Rachman returns only occasionally to the World's End bookshop and its shelves sporting idiosyncratic labels like: Artists Who Were Unpleasant to Their Spouses; History, the Dull Bits; and Books You Pretend to Have Read but Haven't.
Shep Gordon's job is managing musicians and chefs and turning them into stars. Gordon created celebrities out of the likes of Alice Cooper and Anne Murray, but he says fame isn't necessarily a good thing.
"I made excuses to myself for how I made a living and tried to do it as honorably as I could, but I can't say that I'm proud," he tells Fresh Air's Terry Gross. " ... If you make someone famous, they have to pay a price."
Fresh Air Weekendhighlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
I know people who cried at the trailer of the romantic teen cancer movie The Fault in Our Stars — at the movie they'll need a life preserver to keep from drowning in a flood of tears. Me, I didn't cry, though at times my tear ducts tingled; I was on the verge. The film is a little slick for my taste, too engineered. But it's gently directed by Josh Boone and beautifully acted. Whatever the faults, it's not in the stars.
When the thoroughbreds burst out of the starting gate at the Belmont Stakes on Saturday, fans will have their eyes on California Chrome as a potential Triple Crown winner. And there to interview the winner on horseback will be Donna Barton Brothers, an analyst for NBC Sports.
Before she was an analyst, Brothers had a distinguished career as a jockey, winning more than 1,100 races before retiring in 1998. When she retired, Brothers tells Fresh Air's Dave Davies, she knew it was time to get out in part because it started to feel dangerous.
Broadway had never seen anything like it when Show Boat arrived at the Ziegfeld Theatre in 1927. The score was unforgettable and the story tackled complex racial issues. There have been three movie versions, but the best one — James Whale's 1936 production — has only just been released on DVD.
Show Boat was the first great serious Broadway musical. Jerome Kern and Oscar Hammerstein II, who wrote the songs, and Florenz Ziegfeld Jr., who produced it, departed from typical musical comedy material, with its chorus lines and songs showcasing star performers.
Miranda Lambert's new album is called Platinum. Lambert has become one of the best-selling artists in country music, and one of the most critically acclaimed. Rock critic Ken Tucker says her new album continues Lambert's ongoing project to create songs about women who are complex, fun-loving, and assertive.
The American rate of juvenile incarceration is seven times that of Great Britain, and 18 times that of France. It costs, on average, $88,000 a year to keep a youth locked up — far more than the U.S. spends on a child's education.
But the biggest problem with juvenile incarceration, author Nell Bernstein tells Fresh Air's Dave Davies, is that instead of helping troubled kids get their lives back on track, detention usually makes their problems worse, and sets them in the direction of more crime and self-destructive behavior.