Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
The coming-home genre is so rife with stock ingredients that first I'd like to tell you what Liza Johnson's very fine drama Returndoesn't do. The camera doesn't move in on returning-vet Kelli, played by Linda Cardellini, as the sound of battle rises and she's back in her head on the front lines. The film doesn't give you what I call the "psychodrama striptease," in which a past trauma is revealed piece by piece until you're finally, at the end, shown the essential bit.
Sondheim, shown here in 1974, won the Pulitzer Prize in Drama for Sunday in the Park with George. He has also received eight Tony Awards, eight Grammy awards and a Kennedy Center Honor.
Sondheim (left) wrote the lyrics for West Side Story; classical-music superstar Leonard Bernstein (center) was the composer, Jerome Robbins the director and choreographer. The story of the show's genesis is told in the special NPR series 50 Years of West Side Story.
Stephen Sondheim's 1981 musical Merrily We Roll Along is in the middle of a two-week run at the New York City Center as part of an Encores! Production. Portions of the interview running today were originally broadcast on April 21, 2010 and Oct. 28, 2010.
The stories in Nathan Englander's new collection are based largely on his experiences growing up as a modern Orthodox Jew with an overprotective mother.
In What We Talk About When We Talk About Anne Frank, Englander writes about his own faith — and what it means to be Jewish — in stories that explore religious tension, Israeli-American relations and the Holocaust.
The Brits: You've got to hand it to them. The Empire may be long gone, but they still reign supreme when it comes to effortlessly exuding mordant wit. For anyone who savors the acerbic literary likes of Evelyn Waugh or the Amises, father and son, Helen Simpson is just the ticket.
J. Edgar Hoover was the first director of the FBI. He introduced fingerprinting and forensic techniques to the crime-fighting agency, and pushed for stronger federal laws to punish criminals who strayed across state lines. He also kept secret files on more than 20,000 Americans he deemed "subversive."
Credit Express Newspapers/Getty Images
Hoover saw Martin Luther King Jr. as an "enemy of the state," says author Tim Weiner.
Four years after Pulitzer Prize-winning writer Tim Weiner published Legacy of Ashes, his detailed history of the CIA, he received a call from a lawyer in Washington, D.C.
"He said, 'I've just gotten my hands on a Freedom of Information Act request that's 26 years old for [FBI Director] J. Edgar Hoover's intelligence files. Would you like them?' " Weiner tells Fresh Air's Terry Gross. "And after a stunned silence, I said, 'Yes, yes.' "
Actress Viola Davis has been nominated for an Academy Award for her portrayal of the maid Aibileen in the film The Help, set in 1960s Mississippi. But not everyone has applauded the film, which has been criticized for its portrayal of black domestic servants in the civil rights era.