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Stew's new album Making It is, in part, about his relationship with his ex-girlfriend and songwriting partner, Heidi Rodewald.

The two musicians, who still work together professionally, dated each other for years. They collaborated on songs for their band The Negro Problem, as well as on orchestrations for Passing Strange, their semi-autobiographical Broadway musical about a young African-American trying to understand himself while traveling around Europe. But during Passing Strange's initial run in Berkeley, Calif., Stew and Rodewald broke up.

It isn't a long shot that David Milch's newest series for HBO, called Luck, will be on par with his HBO series Deadwood. It's a sure thing. HBO sent out all nine episodes of the show's first season for preview, so there's no guesswork here.

No issue will be more important in the upcoming presidential election than President Obama's handling of the nation's economy. Critical to that debate is an assessment of the Obama administration's economic stimulus program. Republicans claim it was a costly failure. Supporters maintain it saved the U.S. from a depression.

When Steven Patrick Morrissey was 13, he was watching The Old Grey Whistle Test, a BBC rock television show, when the New York Dolls came on. Later, he called it "my first real emotional experience." It was hardly his last: Growing up awkward, tall and shy in suburban Manchester, he was the archetypal kid who didn't fit in, writing poetry and letters to members of the British rock press, disagreeing articulately with their critics.

The new Fox series Touch stars Kiefer Sutherland as a father — a widower — raising a withdrawn preteen son with behavioral problems.

But it doesn't begin with Sutherland.

It begins, instead, with the son — Jake, played by David Mazouz — providing the narration that opens the series. By the time the opening narration is over, you already know you're watching something a little different.