Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
Grant Green, The Holy Barbarian, St. Louis, 1959 could be the name of a fine stage play, perhaps based on the actual circumstances of the recording. One musician on the way up, another past his moment in the limelight and one more who had his chance but never quite made it all convene on Christmas night, part of their week-long stand at the Holy Barbarian, a beatnik hangout replete with chess players and a local artist painting portraits.
This interview was originally broadcast on May 7, 2012.
Lena Dunham was just 23 years old when her second feature film, Tiny Furniture, won the best narrative feature prize at the South by Southwest Film Festival. The movie's success led to Dunham striking a deal with HBO for a comedy series about a group of 20-something girls navigating New York City.
Of all the cable comedies returning with new episodes Sunday, Girls is the most ambitious — as well as the most unpredictable, and occasionally unsettling.
When thirtysomething premiered on ABC more than 25 years ago — yes, it's been that long — that drama series was both embraced and attacked for focusing so intently on the problems of self-obsessed people in their 30s. What that drama did for that generation, Girls does for a new one — and for an even younger demographic, by presenting a quartet of young women in their mid-20s.
Barry Lopez is known for writing about the natural world. His books include Arctic Dreams and Of Wolves and Men, where he explores the relationship between the physical landscape and human culture. But in a new essay in the January issue of Harper's Magazine, Lopez writes that he was sexually molested by a family friend when he was a boy, and says the man was never brought to justice.
Bobby Cannavale may have acted in film and on television, but at heart, he's a theater guy. Always has been, always will be.
Last season he starred as Gyp Rosetti on the HBO series Boardwalk Empire. He's currently on Broadway opposite Al Pacino in David Mamet's Glengarry Glen Ross -- but the stage has been his calling since he was a kid growing up in Union City, N.J.
"Telescope," the fictional hit single by the fictional country star Juliette Barnes on Nashville, is sung by the actress who plays Juliette, Hayden Panetierre. If it didn't become a real-life hit when the song was released a few months ago to country radio stations, it wasn't for lack of catchiness, courtesy of producers T-Bone Burnett and Buddy Miller.
This month marks the 150th anniversary of the Emancipation Proclamation, which President Lincoln issued on Jan. 1, 1863, in the midst of the Civil War. The document declares that all those held as slaves within any state, or part of a state, in rebellion "shall be then, thenceforward and forever free."
Historian Bruce Levine explores the destruction of the old South and the reunified country that emerged from the Civil War in his new book, The Fall of the House of Dixie. He says one result of the document was a flood of black men from the South into the Union Army.
Southern Louisiana in the early 1960s was a hotbed of musical creativity among youngsters who'd been raised listening to French-language country music and Fats Domino. They combined those — and other — influences to make what's now called "swamp pop." Joe Barry was a pioneer in this area who should have been much bigger.
Sunday Bloody Sunday is one of those films that lets you into the lives of believable, complicated characters. A handsome, self-centered young artist played by the actor/rock singer Murray Head is having simultaneous affairs with both an older woman (played with infinitely nuanced self-irony by Glenda Jackson) and an older man, a Jewish doctor (the touching Peter Finch), two intelligent adults who have mutual friends and even know each other slightly.