Neda Ulaby

Neda Ulaby reports on arts, entertainment, and cultural trends for NPR's Arts Desk.

Scouring the various and often overlapping worlds of art, music, television, film, new media and literature, Ulaby's radio and online stories reflect political and economic realities, cultural issues, obsessions and transitions, as well as artistic adventurousness— and awesomeness.

Over the last few years, Ulaby has strengthened NPR's television coverage both in terms of programming and industry coverage and profiled breakout artists such as Ellen Page and Skylar Grey and behind-the-scenes tastemakers ranging from super producer Timbaland to James Schamus, CEO of Focus Features. Her stories have included a series on women record producers, an investigation into exhibitions of plastinated human bodies, and a look at the legacy of gay activist Harvey Milk. Her profiles have brought listeners into the worlds of such performers as Tyler Perry, Ryan Seacrest, Mark Ruffalo, and Courtney Love.

Ulaby has earned multiple fellowships at the Getty Arts Journalism Program at USC Annenberg as well as a fellowship at the Knight Center for Specialized Journalism to study youth culture. In addition, Ulaby's weekly podcast of NPR's best arts stories. Culturetopia, won a Gracie award from the Alliance for Women in Media Foundation.

Joining NPR in 2000, Ulaby was recruited through NPR's Next Generation Radio, and landed a temporary position on the cultural desk as an editorial assistant. She started reporting regularly, augmenting her work with arts coverage for D.C.'s Washington City Paper.

Before coming to NPR, Ulaby worked as managing editor of Chicago's Windy City Times and co-hosted a local radio program, What's Coming Out at the Movies. Her film reviews and academic articles have been published across the country and internationally. For a time, she edited fiction for The Chicago Review and served on the editing staff of the leading academic journal Critical Inquiry. Ulaby taught classes in the humanities at the University of Chicago, Northeastern Illinois University and at high schools serving at-risk students.

A former doctoral student in English literature, Ulaby worked as an intern for the features desk of the Topeka Capital-Journal after graduating from Bryn Mawr College. She was born in Amman, Jordan, and grew up in the idyllic Midwestern college towns of Lawrence, Kansas and Ann Arbor, Michigan.

Seriously, if you were being attacked by zombies, you might yell out the word f- - -! But no one does on The Walking Dead. When it comes to language in this golden age of basic cable dramas, the rules are idiosyncratic and unclear.

"It's so arbitrary, hon," says Kurt Sutter. "It's just basically people in suits making up the rules."

No place seems safe these days from someone's terrifying, post-apocalyptic imaginings. Los Angeles is wrecked in the movie Elysium, the South is zombie-ridden in TV's The Walking Dead, and now— thanks to writer Ben Winters — even the quiet streets of Concord are at risk of annihilation.

More than 90 percent of Americans say public libraries are important to their communities, according to the Pew Research Center. But the way that love translates into actual financial support varies hugely from state to state.

Vermont, for instance, brags that it has more libraries per capita than any other U.S. state. Some of them are remarkably quaint. In Ludlow, one library is a white clapboard Victorian, slightly frayed, ringed by lilies and sitting by the side of a brook.

I visited Toy Fair in New York City hunting for ideas for our summer series about kids' culture. One of the big takeaways was the increasing popularity of construction games such as Legos. Sales shot up nearly 20 percent last year. Now, it seems, every major toy manufacturer is scrambling to add new games geared toward kids building things.

This summer, NPR is taking a closer look at media for kids, taking it as seriously as what's offered to adults. Our first piece looks at a new show starting Monday night on ABC Family.

Arrested Development returning via Netflix? Just another old-media brand reviving itself on new media.

The TV show, which originally ran on Fox from 2003 to 2006 and unveils new episodes on Netflix next weekend, finds itself in splendid company. Radiohead, Louis C.K., Veronica Mars — all found their audiences with promotion and distribution from big studios and networks. Radiohead was signed to a major music label. Louis C.K. enjoyed HBO specials and TV shows. And Veronica Mars ran on two TV networks for three years.

Mad Men comes back for its sixth season Sunday at an opportune moment for basic cable. Last weekend, 25 million viewers combined watched The Bible and The Walking Dead on basic cable channels. That's more than triple the audience for The Good Wife on CBS that same night.

Let's call it the baby sitter's dilemma.

If you go to someone's house and pick up the TV remote, chances are, you won't know how it works. You know the situation's bad when even a tech writer who also majored in physics at an Ivy League school is confused by her own TV remote.

Toyo Ito, a 71-year-old architect based in Japan, is the winner of the 2013 Pritzker Architecture Prize. The jury honored Ito for his more than four-decade career, in which he has created architecture that "projects an air of optimism, lightness and joy ... infused with both a sense of uniqueness and universality."

The movie Beasts of the Southern Wild is a fairy tale of a film. It might not seem to have much in common with documentaries about evangelical Christians in Uganda or the billionaire Koch brothers. But these films were all funded by a not-for-profit group called Cinereach. It was started by a couple of film school graduates who are still in their 20s. And now, with Beasts, it has a nomination for Best Picture at this year's Oscars.

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