Celine and Jesse are sporting a few physical wrinkles — and working through some unsettling relational ones — in Before Midnight, but that just makes this third installment of their once-dewy romance gratifyingly dissonant.
It's been 18 years since they talked through the night that first time, Julie Delpy's Celine enchanting and occasionally prickly, Ethan Hawke's Jesse determined to charm; their chatter then, as now, scripted but loose enough to feel improvised as captured in long, long takes by Richard Linklater's cameras.
Arthur Fiala, shown here in 1918 and 2005, was a private in the 26th Company of the 20th Engineers Regiment during World War I.
Credit Courtesy of Houghton Mifflin Harcourt
Richard Rubin has written for <em>The Atlantic</em> and <em>The New York Times Magazine</em>. His other books include <em>Confederacy of Silence</em> and <em>Everyday American History of the 20th Century</em>.
Credit S.E. Brown / Courtesy of Houghton Mifflin Harcourt
George Briant, shown here in an undated photo and in 2004, recalls Nov. 11, 1918, the day the war ended and the guns fell silent: "You looked like you were in a new land; you couldn't believe that everything is quiet".
Ten years ago, writer Richard Rubin set out to talk to every living American veteran of World War I he could find. It wasn't easy, but he tracked down dozens of centenarian vets, ages 101 to 113, collected their stories and put them in a new book called The Last of the Doughboys. He tells NPR's Melissa Block about the veterans he talked to, and the stories they shared.
Throughout Kobo Town's new album Jumbie in the Jukebox, frontman Drew Gonsalves declares his love for the past even as his feet are firmly planted in the present. The music of the Toronto band can drift between classic Caribbean pop styles and even verge on hip-hop, but the singer's perspective remains sharply focused, wry and witty. The song "Postcard Poverty," for example, ribs tourists for whom tropical slums become an exotic backdrop to fun-in-the-sun adventures.