This is FRESH AIR and we're talking about what's happening in Boston. With me now is our TV critic David Bianculli. And David, usually when there's breaking news like this you're watching, like, a lot of TVs at a time.
DAVID BIANCULLI, BYLINE: Right.
GROSS: Trying to see how different networks are covering it. And you've done this for years. You've done this through many different crises. So how does this past week compare to other crises that you've monitored in the media in terms of the coverage?
This is FRESH AIR. I'm Terry Gross. Today we're following events in Boston. We have several guests standing by. Our first guest is Seth Mnookin, a professor of journalism at MIT. He's become famous for live-tweeting the events in Watertown last night. He's a contributing editor at Vanity Fair and was a senior writer at Newsweek. Seth, are you joining us on the phone there?
SETH MNOOKIN: Yes, I'm here.
GROSS: Thank you for being with us. So how did you end up being on the scene at Watertown last night?
War photographer Tim Hetherington said he thought war was wired into young men. And he risked, and ultimately gave, his life to capture these young men in photographs and video — in Liberia, Sierra Leone, Afghanistan and other war zones. Hetherington was killed by shrapnel from a mortar round while taking pictures in Libya in 2011, during the uprising against President Moammar Gadhafi.
In his cover story for the April 29 issue of The New Republic, "The Hell of American Day Care," Jonathan Cohn writes that "trusting your child with someone else is one of the hardest things a parent has to do — and in the U.S., it's harder still, because American day care is a mess. And about 40 percent of children under 5 spend at least part of their week in the care of somebody other than a parent."
Brad Paisley's Wheelhouse is yet another very good album from a singer, songwriter and guitarist who's made a bunch of them in a row. It features a slew of shrewd songs about finding pleasure and comfort in a frequently unpleasant, uncomfortable world. The music includes a bone-cracking song about domestic violence written from a woman's point of view, one that praises Christian values from the perspective of a jealous skeptic, and one that samples the great Roger Miller as deftly as any hip-hop production.