Orange You Glad We Wound Up Here? George (Paul Rudd) and Linda (Jennifer Aniston) play an unemployed Manhattan couple who stumble into a hippie farming commune whose denizens include characters played by Justin Theroux and Alan Alda.
Credit Universal Pictures
The Elysium Bed and Breakfast where Linda and George land contains a motley assortment of hippies who look like they've come directly from a time capsule.
In sophisticated comedy, what's funny is the tension between proper manners and the nasty or sexy subtext. Whereas in low comedy, there are no manners, and the nasty or sexy subtext is right there on the surface.
And then there's Wanderlust, in which the subtext is blasted through megaphones — the characters say so insanely much you want to scream. The satire is as broad as a battleship and equally bombarding. But it takes guts to do a comedy this big without gross-out slapstick, and the writers and the actors are all in.
Leonardo DiCaprio plays J. Edgar Hoover in J. Edgar, a biopic written by Dustin Lance Black.
Credit Warner Bros. Pictures
"There are certain biographers who are more liberal with the truth, and want to give an impression of the truth," says Dustin Lance Black. "For me, I wanted to get as close to the truth as possible. Because I knew that this film would go under attack — and I wanted to be able to defend it."
In the first part of his career, J. Edgar Hoover was often hailed as a hero. As a young man, he helped reorganize the cataloging system at the Library of Congress. Later on, after Hoover became the first director of the FBI, he introduced fingerprinting and forensic techniques to the crime-fighting agency, and pushed for stronger federal laws to punish criminals who strayed across state lines.
This interview was originally broadcast on Apr. 9, 1991.
Publisher Barney Rosset, who championed the works of beat poets and defied censors, died Tuesday. He was 89.
Rosset's Grove Press published some of drama's most famous names — including Beckett and Anton Chekhov — and was known for printing books that other publishers wouldn't touch, from uncensored versions of Lady Chatterley's Lover and Tropic of Cancer to a highly profitable line of Victorian spanking porn.
This is FRESH AIR. I'm Terry Gross. SuperPACs have led to what was described in the New York Times yesterday as a new breed of super-donor. About two dozen individuals, couples or corporations have given a million dollars or more this year to Republican superPACs that have poured that money directly into this year's presidential campaign.
James Bopp is the lawyer who first represented Citizens United in the case that ended up in the Supreme Court, which ruled that corporations and unions could give money to political committees active in election campaigns. That decision and subsequent lower court decisions have led to SuperPACs, which allow corporations, unions and individuals to make unlimited contributions, pool them together, and use the money for political campaigns.
Blues and jazz singer Catherine Russell says she frequently listens to the radio while washing dishes. One night, she was by the sink listening to a Chick Webb compilation when Ella Fitzgerald's "Under the Spell of the Blues" came on. The song struck her.
"The lyric came on, and it was just a beautiful story, and then I [was] compelled to learn the tune, and then I learned about everything surrounding it," she says.
The song "I Got You Babe," on Bahamas' new album, Barchords, is obviously not Sonny and Cher's "I Got You Babe." This version is an original song the Canadian singer-songwriter Afie Jurvanen, who records under the stage name Bahamas, has written about holding and losing someone.
Through his many New Yorker covers, Barry Blitt has become one of the pre-eminent satirical cartoonists of America's recent presidents. He is probably best known for his controversial 2008 cover of Michelle and Barack Obama, dressed as a Muslim and a militant with an AK-47, fist-bumping in the Oval Office.