The animated film Chico and Rita is set in 1940s Havana, at a time when Cuban musicians were starting to leave the country and join the jazz scene in New York. It was also a time when musical styles were fusing — and changing the Afro-Cuban jazz scene entirely.
The film tells the story of Chico, one of the best piano players in Havana, and Rita, his sultriest singer. They're lovers, and eventually their migration takes them past New York to Paris — criss-crossing continents to make music while struggling to keep themselves and their relationship afloat.
Carole King initially found it extremely difficult to navigate the social hierarchies of high school. The Grammy Award-winning songwriter was a few years younger than her fellow classmates and was often dismissed as being "cute."
"And it was like, no, I don't want to be cute, I want to be beautiful and smart," she tells Fresh Air's Terry Gross. "And that wasn't happening, and then I connected through music. So music became a way of identifying my particular niche. How lucky for me."
The warmth and vigor of Bonnie Raitt's voice throughout her new album Slipstream, even when she's covering an oldie such as Gerry Rafferty's "Right Down the Line," is vital and fresh — urgent, even. Raitt has always possessed a gift for taking a familiar phrase and rendering it in a manner that compels a listener to think anew about what the words really mean.
Most pitchers in the majors stick to fastballs, curveballs, sliders and change-ups when facing batters at the plate.
But not New York Mets right-hander R.A. Dickey. Dickey is currently the only knuckleball pitcher in a current rotation. At 37, he's also one of the older pitchers in the league and has seen his career — and life — mimic the erratic trajectory of the difficult pitch he throws game after game.
While attending services and small group meetings at The Vineyard, an evangelical church with 600 branches across the country, anthropologist T.M. Luhrmann noticed that several members of the congregation said God had repeatedly spoken to them and that they had heard what God wanted them to do.
In When God Talks Back, which is based on an anthropological study she did at The Vineyard, Luhrmann examines the personal relationships people developed with God and explores how those relationships were cemented through the practice of prayer.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
Brad Ausmus has spent most of his career in a squatting position. As a major league catcher, he crouched behind home plate for roughly seven months a year while playing with the San Diego Padres, the Detroit Tigers, the Houston Astros and the Los Angeles Dodgers.
Some years back, I was driving across the South with a German friend, leaving early Sunday morning from Athens, Ga., and heading to Louisiana. I turned on the radio and found a black church service in progress, and a woman with a remarkable voice singing. "Who's that?" my friend asked. I told him I had no idea. "But with a voice like that, she must be famous," he said. Some miles down the road, when the station had faded out, he still didn't believe me.
Terence Davies' films aim for and often achieve a state of music, the camerawork in harmony with the soundtrack, the images connected by emotion rather than narrative.
Adapting Terence Rattigan's 1952 play The Deep Blue Sea, he throws out the drama's tidy structure and much of the dialogue, and shows the events through the eyes of the adulterous Lady Hester Collyer, played by Rachel Weisz.