Lucy Worsley works as the chief curator in several palatial buildings in London, including Kensington Palace, Hampton Court Palace and the Tower of London. In contrast, she lives in what she calls a "normal, boring modern flat."
Peter Bergman, one of the founding members of the four-man surrealist comedy troupe The Firesign Theatre, died Friday of complications from leukemia. He was 72.
Bergman, along with collaborators David Ossman, Phil Proctor and Phil Austin, created satire out of the political and civil upsets of the 1960s and 1970s, blending surrealism, absurdities, non sequiturs, paranoia, parodies of the Establishment, sound effects, in-jokes about hippies and knowing allusions to literature and trash culture.
After Dave Brubeck signed with Columbia Records in the mid-1950s, his quartet made a few albums a year, and now that material has been collected in a 19-disc box set called The Dave Brubeck Quartet: The Complete Columbia Studio Albums Collection.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
This interview was originally broadcast on April 12, 2011. 1861: The Civil War Awakening is now available in paperback.
The first shots of the American Civil War were fired almost 151 years ago in the Charleston, S.C., harbor. Less than two days later, Fort Sumter surrendered. It would take the Union army nearly four years to bring the coastal fortification back under its command.
The premise of Friends with Kids is the stuff of high-concept romantic comedies: Writer-director Jennifer Westfeldt plays Julie, who's at the age when her odds of childbearing lessen each year, and there's no mate in sight. So her best friend, Jason, played by Adam Scott, volunteers to impregnate her.
There are times when TV dramas about national politics and politicians deserve criticism, even ridicule, for their fast-and-loose narratives and characterizations. Recent miniseries about the Reagans and the Kennedys, loaded with unsubstantiated dialogue and action, are only two very fresh examples.
But Game Change — HBO's new take on the John McCain-Sarah Palin campaign — is entertaining, and commendable, precisely because it stays so close to the facts, not because it strays from them.
It's not difficult to guess what the over-arching theme might be on an album Bruce Springsteen characterizes as being "as direct as any I ever made." The title song from Wrecking Ball is one he wrote a few years ago to commemorate the demolition of Giants Stadium in New Jersey. It was written from the point of view of the stadium, but in its new context, the wrecking ball is a symbol of the implacable forces that have wrecked the economy for millions of people.
The Book of Revelation, the final book of the New Testament, has some of the most dramatic and frightening language in the Bible.
In her new book Revelations: Visions, Prophecy and Politics in the Book of Revelation, Princeton University religious professor Elaine Pagels places the Book of Revelation in its historical context and explores where the book's apocalyptic vision of the end of the world comes from.