Under Jim Crow laws, black Americans were relegated to a subordinate status for decades. Things like literacy tests for voters and laws designed to prevent blacks from serving on juries were commonplace in nearly a dozen Southern states.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
I admit I was biased against the Margaret Thatcher biopic The Iron Lady. Not, you understand, against Thatcher and her Tory politics. Against Meryl Streep and her accents. Which are great, no doubt. But I went in resolved not to fall for her pyrotechnics yet again. I wanted realism.
Well, it didn't take long to realize that I was watching not only one of the greatest impersonations I'd ever seen — but one that was also emotionally real.
Janie Fricke has had a long, winding career. She started out as a singer of TV commercial jingles, warbling for Coca-Cola, McDonald's and Red Lobster, among other clients. She then moved on to singing back-up vocals for stars such as Elvis Presley, Loretta Lynn and Dolly Parton.
Gary Oldman watched Tinker, Tailor, Soldier, Spy when it aired as a BBC miniseries in 1979, but he purposely avoided a second viewing before signing up to play George Smiley in a new film adaptation of John le Carre's classic 1974 novel.
"I really thought that I would be contaminated by it," he tells Fresh Air's Dave Davies. "And I didn't want to do an impersonation."
It's one of my favorite TV moments of this year. On Tuesday, the night of the New Hampshire primary, Stephen Colbert had Bill Moyers as his special guest on The Colbert Report. Moyers was there to publicize his return from retirement and the launch of his new TV series, Moyers & Company. Colbert booked him to help him do just that — but as his on-screen persona Stephen Colbert, the pontificating political conservative, he was there to throw good-natured verbal punches.
It's been more than a decade since clarinetist François Houle and pianist Benoît Delbecq's previous recording, but Because She Hoped proves that they can a strike a mood together quickly. That quiet, misterioso air is one specialty, conjuring a dream state: a slow-motion sleepwalk.