"Were going to blink and be 90," Debbie tells Paul. "We have to make a choice to make things different."
Credit Suzanne Hanover / Universal Studios
Pete's friend Barry (Robert Smigel) offers some advice on entering middle age.
Credit Suzanne Hanover / Universal Studios
Five years after Judd Apatow's Knocked Up, Paul Rudd and Leslie Mann reprise their roles as married couple Pete and Debbie. Now years into their marriage with two kids (played by Iris and Maude Apatow), Pete and Debbie approach 40 less than gracefully.
Since earning a cult following for his acclaimed television show Freaks and Geeks, writer, producer, and director Judd Apatow has become a brand name. He has a new movie out this month — This Is 40 — and also guest-edits the January "Comedy Issue" of Vanity Fair.
He's an executive producer for the HBO show Girls and previously wrote, produced and directed the 2005 comedy The 40-Year-Old Virgin.
In her series for The New York Times, reporter Louise Story says that the manufacturing sector — automakers, in particular — benefit the most from incentive packages.
Credit The New York Times
Louise Story is an investigative journalist for The New York Times, specializing in business reporting. In 2009 she was a finalist for the Pulitzer Prize in Public Service for her reporting on the financial crisis of 2008.
In her new series for TheNew York Times called "The United States of Subsidies," investigative reporter Louise Story examines how states, counties and cities are giving up more than $80 billion each year in tax breaks and other financial incentives to lure companies or persuade them to stay put.
The director Francois Truffaut once remarked that it takes as much time and energy to make a bad movie as to make a good one. He was right, but I would add one thing: It takes extraordinary effort to make a truly memorable flop.
The best example is Heaven's Gate, the hugely expensive 1980 movie by Michael Cimino that is the most famous cinematic disaster of my lifetime. It's part of that film's legend that it not only took down a studio, United Artists, but was the nail in the coffin of Hollywood's auteur filmmaking of the 1970s.
Wine is our original alcoholic beverage. It dates back 8,000 years and, as Paul Lukacs writes in his new book, Inventing Wine: A New History of One of the World's Most Ancient Pleasures, was originally valued more because it was believed to be of divine origin than for its taste. And that's a good thing, Lukacs tells Fresh Air's Terry Gross, because early wine was not particularly good.
I'm biased, of course, because I'm a television critic — but to me, giving someone a gift of a TV show you yourself enjoyed tremendously is somehow very personal. You're giving something that you love, and that in many cases will occupy many hours, if not days, of their time. And during that time, they'll occasionally be reminded of you.
In his new novel, The Testament of Mary, Irish writer Colm Toibin imagines Mary's life 20 years after the crucifixion. She is struggling to understand why some people believe Jesus is the son of God, and weighed down by the guilt she feels wondering what she might have done differently to alter — or ease — her son's fate.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
This interview was originally broadcast on Dec. 5, 2011. Social Q's is now out in paperback.
Need advice on when it's appropriate to break up with someone over email? Want to know how to react if your dinner companion whips out a cellphone midway through a meal? What about how to deal with your annoying relatives during the holidays?
Tracey Thorn's interpretation of "Maybe This Christmas," by the Canadian singer-songwriter Ron Sexsmith, is typical of her new holiday album, Tinsel and Lights: It's simply arranged, emphasizing Thorn's lovely, delicate voice and bolstered by a firm intelligence; it avoids the fatty treacle that weighs down lots of Christmas albums. Tinsel and Lights mixes familiar songs with new ones, such as the title song written by Thorn.
Blues is so much a part of the fabric of American music and American culture — not only as a defined musical form, but also as a springboard for all kinds of creativity — that it seems crazy to try to encapsulate it in any way. Bear Family Records, though, has just released a 12-disc survey of electric blues called Plug It In! Turn It Up! that does a great job of illuminating one particular aspect of the blues.