Born in Israel in 1930, Yoram Kaniuk wrote novels and articles that explored war, the Holocaust, Israel, and the prospect of peace for Israelis and Palestinians. He was an outspoken proponent of the need for Israelis and Palestinians to understand that both groups of people deserve sovereignty.
"Both sides are right, and both sides are so strong about the rightness," he told Fresh Air's Terry Gross in August 1988. He believed that arguing over "who suffered more" wasn't productive.
As a columnist for the Miami Herald and a prolific novelist of books such as Strip Tease, Lucky You and Star Island, Carl Hiaasen has a subject: Florida. Hiaasen grew up in the state during the 1950s and has lived and worked there his entire life, watching it morph from a rural backwater with abundant natural beauty and resources to one struggling with the effects of development and tourism.
Raised in South Berwick, Maine, and residing in Austin, Texas, Slaid Cleaves is no one's idea of a music-industry insider. He writes and sings songs primarily about working-class people and romantics both hopeful and hopeless. That said, it's also not difficult to hear another element of the fortysomething Cleaves' past: He was an English and philosophy major at Tufts, and his lyrics are underpinned by both a fine sense of meter and moral perspicacity.
Wallace Daniel Pennington grew up singing. His father played guitar and his mother played piano, and by the age of 9, the young man had a guitar of his own. The family attended church on Sunday and Wednesday each week, and to this day, Dan Penn says he remembers the entire Methodist congregation belting out hymns.
The documentary 20 Feet From Stardom, which explores the world of rock 'n' roll's backup singers, opens to the soundtrack of Lou Reed's "Walk on the Wild Side." Reed sings half the refrain â€” "And the colored girls go, doo do doo do doo" â€” until a chorus of backup singers pick up the "Do doo" line. At first these women sound far away, but as the chorus progresses, their voices get louder, less produced and polished, more real and intimate.
No, you aren't imagining it: There is indeed less leg room on some airplanes than there used to be.
"Back in the old days, probably 20 years ago, the tendency was to have about 34 inches," says Mark Gerchick, a former chief counsel for the Federal Aviation Administration. "Now the standard is about 31 inches in the United States. ... Some of the low-cost airlines have tightened that up to about 28 inches, which is now approaching the limits of anatomical possibility."
Arctic Records opened for business late in 1964. The label was the brainchild of Jimmy Bishop, the program director of WDAS â€” at the time Philadelphia's No. 1 black radio station. If that sounds like a conflict of interest, you don't know much about the music business in Philadelphia back then. Besides, it didn't help Arctic's first single, "Happiest Girl in the World" by the Tiffanys, three local teenagers who sang backup in various studios.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
Note: The audio and text of this review describe a major plot point that is not revealed until partway into the book.
If you know Karen Joy Fowler's writing only from her clever, 2004 best-seller, The Jane Austen Book Club, you're in for a shock. Fowler's new novel, We Are All Completely Beside Ourselves, is a different literary creature altogether â€” still witty but emotionally and intellectually riskier, and more indebted to Fowler's other books that toy with the sci-fi genre.